Ep 167: How to Be a Better Writer (Pt 2): 3 Simple Tweaks You Can Try Today

Last week I talked about the mindset that believes growth is possible—that you are neither stuck at your current level nor have you arrived at mastery. With that mindset, you can begin to evolve and improve. Today I recommend three simple writing tweaks that will keep your readers interested and engaged. 1. Use Active, Vivid Verbs Propel your story or idea forward with active, vivid verbs. Don’t fret about your word choices as you write your draft, but in the editing stage, especially, look for places you can swap a flat, lifeless verb for one that keeps the reader alert and engaged. A few examples of flat, lifeless verbs: * “is" and other forms of “to be” (am, are, was, were, be, being, been, will be, and so on) * “go” or “went" * “have” or “had" * “made" * "do" When you identify words like these that slow down your work, you open up new opportunities to improve. Start fishing for verbs that energize your writing and dream up new ways of expressing an idea or scene. Let’s say a writer describes a troubling situation in her kitchen. She writes, “The Instant Pot made such weird sounds, I worried I’d missed a step with the lid position or the settings.” By simply choosing a more vivid verb than “made” ("The Instant Pot made such weird sounds…”), creativity kicks in and the whole scene picks up. Like this: “The Instant Pot fizzed and spit as the silver peg jiggled and wobbled. Did I miss a detail in the instruction book? Should I turn the lid one notch tighter or pick a setting lower than ‘ultra'?" The scene expanded and changed in tone. By playing with the verbs, the sentence came alive. This simple tweak can produce stronger writing in all genres. Turn to active, vivid verbs whenever possible and play around with options. 2. In General, Avoid “There was” Consider this common sentence structure: "There was a jogger who outran a terrier that nipped at her heels." Because "There was" includes a form of "to be," I could have lumped this suggestion under the discussion of flat, lifeless verbs. Instead, I want to address this on its own. >> “There was” Fills in for Unknown Subject Sometimes we use “there are” when we aren’t sure who or what the actor or subject is. Newspapers rely on this when reporting on a situation with limited information. “Last night there was a robbery at the gas station on the corner of 5th and Main.” Perhaps the reporter turned to “there was" because police hadn’t said anything about the perpetrator. If so, the reporter didn’t have enough information to write, “Two men wearing clown masks robbed the gas station on the corner of 5th and Main.” To make the deadline for the morning paper, the reporter gave readers what he had so they are aware a robbery allegedly took place on the corner of 5th and Main. >> “There was” Can Hide an Identity A writer might rely on “there was,” “there are,” or “there is” to avoid casting blame. For example, a mom might write in an email, “I’m going to miss the meeting. There was a flood in our house from an overflowing toilet.” She chose “there was” on purpose to avoid pointing fingers at the particular child who flushed an entire roll of toilet paper and clogged the toilet to overflowing. Sometimes identity doesn't matter. "There was a pine cone jammed in the gutter." No need to blame the squirrel or the wind when the focus of a scene is the pine cone itself. As you can see, this construction comes in handy from time to time. But in general, avoid using it—especially because it can so easily be rea...