The Edition: Keir Starmer’s plan to soften Brexit

Best of the Spectator - Podcast tekijän mukaan The Spectator

This week: Keir Starmer’s plan to soften Brexit Katy Balls writes this week’s cover piece on Labour’s plans to establish close ties with the EU. Every member of Starmer’s cabinet voted Remain, and the government is trying to ‘reset EU relations through a charm offensive’. Brussels figures are hopeful: ‘There was no real goodwill for the Conservative government.’ There are tests coming: the first deal, Katy writes, could be harmonisation on veterinary standards. But will the UK have to abide by the European Court of Justice? Then there’s the issue of Chinese electric cars: will Starmer accept cheap imports, or follow the EU in raising tariffs on them? For now, EU officials see the new PM as ‘workman-like and not playing to the gallery’. How long will that last? Katy Balls is joined by Anand Menon, director of the think tank UK in a changing Europe. (02:03) Then: In The Spectator this week Jonathan Miller writes about his experiences at the Hampshire public school Bedales. The school’s alumni roster is impressive: royalty, celebrity, and several Spectator writers. But it has also courted controversy and criticism from some previous students. The novelist and writer Amanda Craig was one such former student, so highly critical of the school she authored a book ‘A Private Place’ detailing her experiences. Jonathan and Amanda join the podcast to discuss the cult of Bedales. (19:22)  And finally: is there really reason to believe aliens exist? In the magazine this week, the astronomer and science writer Dr David Whitehouse says if aliens do exist, why can nobody find any proof of them. Despite the evidence, or lack thereof, why does the belief in aliens endure? And how much can we really read into the disclosures in the US about UAPs - Unidentified Aerial Platforms? David joins the podcast to discuss his article alongside space journalist Jonathan O’Callaghan. (31:24)  Hosted by Gus Carter and Lara Prendergast.  Produced by Patrick Gibbons and Oscar Edmondson.

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