(in)sight-reading enlightenment/early music podcast
Podcast tekijän mukaan Darina Ablogina
67 Jaksot
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The Survival of Classical Music with Andrew Burn: TAR, Transparency, Activism in Music
Julkaistiin: 20.5.2023 -
earlymusicsources.com with Elam Rotem
Julkaistiin: 17.4.2023 -
The history of female composers
Julkaistiin: 21.3.2023 -
L'Ambiance va être chouette the famous early music cartoon book is here!
Julkaistiin: 13.3.2023 -
A history of electronic musical instruments in Switzerland
Julkaistiin: 7.2.2023 -
Historical keyboards with Catalina Vicens
Julkaistiin: 29.1.2023 -
The Oboe Gift/Ivan Podyomov
Julkaistiin: 31.12.2022 -
Christmas with the Casulana Lute consort
Julkaistiin: 22.12.2022 -
“Bicinia” for two podcasters/Tim Karweick
Julkaistiin: 30.11.2022 -
The wife of Telemann
Julkaistiin: 10.11.2022 -
Tous les matins du monde with François Lazarevitch/Air de cour and its ornaments
Julkaistiin: 29.10.2022 -
Evening tea with François Lazarevitch: music of the sign
Julkaistiin: 29.9.2022 -
"The past is a foreign country"/Rediscovering Consciousness in Early Music with Elizabeth Kenny
Julkaistiin: 18.9.2022 -
Conservatory, microtonality, overtone flute and Quantz/Erik Bosgraaf
Julkaistiin: 28.7.2022 -
Historical dance and its context/late 18th century lifestyle with Les Soirées Amusantes
Julkaistiin: 30.6.2022 -
Audio design/digital art/virtual reality and its development today
Julkaistiin: 11.6.2022 -
The WAR /interview with musicians from Ukraine
Julkaistiin: 12.5.2022 -
Unwanted refinement/interview with flutist Barthold Kuijken
Julkaistiin: 28.4.2022 -
Heinrich Schütz "Fili mi Absalom" in a relation to the Easter and newest reality
Julkaistiin: 17.4.2022 -
Goldberg's Continuum with Jean Rondeau
Julkaistiin: 16.3.2022
Hello dear friends! Welcome to our brand new podcast dedicated to sight-reading. Why sight-reading? We want to show the behind-the-scenes of music-making. We begin each episode with our initial thoughts on a new score as well as musings about style, aesthetics, and instruments. We challenge ourselves to apply our understanding of historical practices to achieve a more musical reading of a given text. Whether you are amateur musicians looking for tips on sight-reading and insight into historical performance or a seasoned musician, we would be happy if you joined us.
